
Click on this link to see all photos: Nai's life
More of his work here: Vlad Artazov
“Nocturna Artificialia”- realizado em 1979, é o nome da primeira curta metragem dos norte americanos Irmãos Quay. Esta curta metragem dura aproximadamente 20 min, e está disponivel para visualização no YouTube, dividida em duas parte. Deixo-vos o link de ambas as partes.
primeira parte - http://www.youtube.com/watch?v=o6Uaww0yon4
segunda parte - http://www.youtube.com/watch?v=E1SmMpQeVZs
Espero que gostem. Para terem mais informações sobre os Irmãos Quay, vejam os seguintes links:
TimeOut, Burned Out, é o ponto de vista de 7 “fazedores” de arte acerca desse bar, da beleza destruidora que o atingiu e da necessidade de reabilitação de espaços.
A exposição TimeOut, Burned Out do Colectivo Arte às Tantas será inaugurada dia 1 de Agosto no Paralelo 38, pelas 22:38, praia do Furadouro-Ovar (Rua jornal o comércio do Porto nº16).
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Civilization by Marco Brambilla from CRUSH on Vimeo.
"Civilization depicts a journey from hell to heaven interpreted through modern film language using computer-enhanced found footage. This epic video mural contains over 300 individual channels of looped video blended into a multi-layered seamless tableau of interconnecting images that illustrate a contemporary, satirical take on the concepts of Heaven and Hell."
Civilization was created for the elevators Standard Hotel in NYC. "(...) it takes elevator passengers on a trip from hell to heaven as they go up or from heaven to hell as they go down." http://www.vimeo.com/5082155
Spiritus from Susana Andrez on Vimeo.
Two Birds Sold for a Kiss, Colette Calascione, Oil on Wood, 1995 , 8" x 10"
"The women of NY-based painter Colette Calascione's world are the most luscious and enigmatic lot you’re likely to encounter in modern classical painting. Inspired by Victorian portraiture and Surrealism, Calascione is gifted with an Old Master’s hand for technique, a fevered imagination, a wicked sense of humor and a reverence for the feminine form rivaling that of Vargas himself. The resulting work is whimsical, provocative and elegant in turns. Demure masked nudes entice viewers with smoldering eye contact and slight, come-hither smiles. Grand dames of the parlour consort with beastly Ernstian suitors. The rosy aura of myth and allegory that surrounds these ladies is a fetching as their silken lingerie… maybe more so.
Scrupulous attention is paid to everything, and the color and contrast she imbues in each form — powdery decolletage, folds of drapery, the riotously rococo backgrounds — is exceptional.
Truly, Calascione knows that Goddess is in the details."
- via Coilhouse
Mardi Gras from Keith Loutit on Vimeo.